Vari-Mu Compressor

VariOhm

Analog glue. Musical control.

VariOhm in the DAW

In detail

Dual VU with real ballistics

Dual VU with real ballistics

Fairchild/Manley-style gain-reduction needle, with its characteristic kick-back motion.

Sidechain and tube drive

Sidechain and tube drive

Side Chain, Dry Level, and Input — the knob that sets how much tube color goes in — with the Compressor/Limiter switch.

Independent channel

Independent channel

Threshold, Output, Mix, Attack, Release, and Recovery per channel — with Link to mirror the left channel onto the right.

VariOhm does not approximate a vari-mu curve — it reconstructs the circuit. The push-pull 6BA6 remote-cutoff tube cell, the saturating output transformer, and the vacuum-rectifier sidechain are reproduced with full circuit modeling, verified bit-exact against a circuit simulation of the original hardware.

THRESHOLD, ATTACK, RECOVERY, and WARM BIAS are not arbitrary mapping curves — each knob moves a real physical component in the circuit (a load resistor, the tube bias point), so parameter interaction behaves like the hardware, not like a curve-fit emulation.

The RECOVERY switch has 6 positions (0.2s to 4s, plus a DUAL mode that recovers the peak fast and holds the program tail). ASYMMETRY is the house signature: it introduces a second harmonic that breathes with gain reduction.

Controls

  • Thresholdcompression onset point
  • Attack18–73 ms, measured on the circuit
  • Recovery6 positions: 0.2s / 0.4s / 0.6s / 2s / 4s / Dual
  • Comp / Limittwo-position switch, changes the emergent ratio
  • Input / Output±12 dB — Input also sets how much tube color you get
  • Warm Biasshifts the tube bias point (color vs. headroom)
  • Asymmetrysecond harmonic that breathes with gain reduction
  • Dual Input+6.02 dB sensitivity (primary transformers in series)
  • GR Meterballistic gain-reduction needle, Fairchild/Manley style
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